![](https://freight.cargo.site/t/original/i/00c259e61e3303cd6e2fdb4fb65c8e904b0ef654129fecd7e18f7646839becbb/IMG_0518.jpg)
![](https://freight.cargo.site/t/original/i/b71f77dd61c4c9ac4ad6634eca15f420f6f22661c9c53c2491c9b50e508727e3/IMG_0523.jpg)
![](https://freight.cargo.site/t/original/i/2cfa68996017da3a7e54c46f08547c5e9cbbe96e626e6634913959a3b35ca97a/IMG_0515.jpg)
![](https://freight.cargo.site/t/original/i/b2be7255dec9c31f6447c77be4466ec0a5fd25184fff474cfd7254cf51f2738b/display_gif.gif)
![](https://freight.cargo.site/t/original/i/cd445ceedada3eddedbb7b2c6a9083029dfa7aa51fc1340766643cf0e6f870f8/IMG_0516.jpg)
![](https://freight.cargo.site/t/original/i/7f05ce80ae6ddd44ac94c625dd838c4170d255cac7a554d67b53c24a39bf01a1/IMG_0519.jpg)
display
Within the context of a jewelry store “display” focuses the viewer on the interaction of object and display.
The rotating objects, black as the backstage of a theater, are hollowed out to forground their interaction with the rotating plinth. The percarious assemblage of the diplayed objects and the stage is added to the viewer’s theatrical relationship.
~~~
“I suggest, entirely unlike being distanced, or crowded, by the silent presence of another person; the experience of coming upon literalist objects unexpectedly –for example, in somewhat darkened rooms—can be strongly, if momentarily, disquieting in just this way. “
- Michael Fried
~~~
Process: Three diamond shape profiles were revolved in CAD, 3D printed, and set on revolving bases in a glass case in a jewelry store.
Materials: plywood, 3D print, paint, motors, acrylic